2 Contrasting etudes

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nimrod480
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2 Contrasting etudes

Post by nimrod480 »

Does anyone have a recommendations for two any contrasting etudes that will make a diffrence to my favour in an audition.
i thoght on taking Bordogni 1-2-3-4 either, but havent got a clew about a technical etude, does anyone have a recommendation?
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Re: 2 Contrasting etudes

Post by tubacrow »

Tyrell or Blazahevich
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Re: 2 Contrasting etudes

Post by NDSPTuba »

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Re: 2 Contrasting etudes

Post by nimrod480 »

any specipic etude?
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Re: 2 Contrasting etudes

Post by Todd S. Malicoate »

How about playing contrasting orchestral excerpts instead? Seems to work well for folks on this side of the Atlantic.

Or, for a challenging technical etude, look at the characteristic studies in the back of the Arban book. Good stuff. Pick your favorite key center.
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Re: 2 Contrasting etudes

Post by nimrod480 »

I'm working on recording an audition CD for undergrad schools because i live in Israel and dont have the money to go and audition to every school i want to look at.

At the moment, my teacher have told me to think about what i want to pley and record while the minimum requirements are something like :
1 Solo literature
2 Contrasting etudes
2 Orchestral Excerpts

I've decided on

Hindemith Sonate
Varaitions on olden style - Thomas stevens
Plau Concerto

Etudes not decided yet

Also Sparch Zharathustra
Die Mistersinger
and probably one more havent decided yet what it is maybe romeo and juliet
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Re: 2 Contrasting etudes

Post by BriceT »

Grigoriev has some really good technical and lyrical etudes. I like this book, because a lot of the etudes have very orchestral type qualities.
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Re: 2 Contrasting etudes

Post by eupher61 »

I'm of the opinion that Hindemith isn't really a good solo piece for tapes, unless of course it's required. There just isn't enough to really show your stuff as a tubist.

Seconds to Kopprasch. The Characteristic Studies may or may not be good to show off your technic, if you can't do them clean and fast.
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Re: 2 Contrasting etudes

Post by NDSPTuba »

Kopprasch 14 is one of my favorites. But as stated earlier, if you can't play them at speed and cleanly, pick something else.
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Re: 2 Contrasting etudes

Post by pierso20 »

I happen to also like the Grigoriev. But you can't go wrong with some Blazhevich

Oh, and the Vasiliev book also has some cool little things in there.
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Re: 2 Contrasting etudes

Post by Bill Troiano »

Although I'm sure everybody is correct in assuming by 2 contrasting etudes, they mean a legato and a technical etude, in the college I teach at, 2 contrasting etudes means, 1 classical and 1 jazz. Go figure!
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Re: 2 Contrasting etudes

Post by pierso20 »

Bill Troiano wrote:Although I'm sure everybody is correct in assuming by 2 contrasting etudes, they mean a legato and a technical etude, in the college I teach at, 2 contrasting etudes means, 1 classical and 1 jazz. Go figure!
That's pretty cool....hopefully I don't make that mistake someday when I'm supposed play a funky bass line, and instead come in with a Bach Cello Suite....... :wink:
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Re: 2 Contrasting etudes

Post by MileMarkerZero »

Could it be one etude with two contrasting sections?

If so, I highly recommend the last etude in the Rochut book 1. First section is Largo, g minor, pretty lyrical; second section is Presto G major. If you take the second section in one, it's pretty demanding.

One of my favorite Bordogni etudes.
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