2 Contrasting etudes
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nimrod480
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2 Contrasting etudes
Does anyone have a recommendations for two any contrasting etudes that will make a diffrence to my favour in an audition.
i thoght on taking Bordogni 1-2-3-4 either, but havent got a clew about a technical etude, does anyone have a recommendation?
i thoght on taking Bordogni 1-2-3-4 either, but havent got a clew about a technical etude, does anyone have a recommendation?
Nimrod Ron
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Re: 2 Contrasting etudes
Tyrell or Blazahevich
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nimrod480
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Re: 2 Contrasting etudes
How about playing contrasting orchestral excerpts instead? Seems to work well for folks on this side of the Atlantic.
Or, for a challenging technical etude, look at the characteristic studies in the back of the Arban book. Good stuff. Pick your favorite key center.
Or, for a challenging technical etude, look at the characteristic studies in the back of the Arban book. Good stuff. Pick your favorite key center.
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nimrod480
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Re: 2 Contrasting etudes
I'm working on recording an audition CD for undergrad schools because i live in Israel and dont have the money to go and audition to every school i want to look at.
At the moment, my teacher have told me to think about what i want to pley and record while the minimum requirements are something like :
1 Solo literature
2 Contrasting etudes
2 Orchestral Excerpts
I've decided on
Hindemith Sonate
Varaitions on olden style - Thomas stevens
Plau Concerto
Etudes not decided yet
Also Sparch Zharathustra
Die Mistersinger
and probably one more havent decided yet what it is maybe romeo and juliet
At the moment, my teacher have told me to think about what i want to pley and record while the minimum requirements are something like :
1 Solo literature
2 Contrasting etudes
2 Orchestral Excerpts
I've decided on
Hindemith Sonate
Varaitions on olden style - Thomas stevens
Plau Concerto
Etudes not decided yet
Also Sparch Zharathustra
Die Mistersinger
and probably one more havent decided yet what it is maybe romeo and juliet
Nimrod Ron
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BriceT
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Re: 2 Contrasting etudes
Grigoriev has some really good technical and lyrical etudes. I like this book, because a lot of the etudes have very orchestral type qualities.
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eupher61
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Re: 2 Contrasting etudes
I'm of the opinion that Hindemith isn't really a good solo piece for tapes, unless of course it's required. There just isn't enough to really show your stuff as a tubist.
Seconds to Kopprasch. The Characteristic Studies may or may not be good to show off your technic, if you can't do them clean and fast.
Seconds to Kopprasch. The Characteristic Studies may or may not be good to show off your technic, if you can't do them clean and fast.
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Re: 2 Contrasting etudes
Kopprasch 14 is one of my favorites. But as stated earlier, if you can't play them at speed and cleanly, pick something else.
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pierso20
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Re: 2 Contrasting etudes
I happen to also like the Grigoriev. But you can't go wrong with some Blazhevich
Oh, and the Vasiliev book also has some cool little things in there.
Oh, and the Vasiliev book also has some cool little things in there.
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Bill Troiano
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Re: 2 Contrasting etudes
Although I'm sure everybody is correct in assuming by 2 contrasting etudes, they mean a legato and a technical etude, in the college I teach at, 2 contrasting etudes means, 1 classical and 1 jazz. Go figure!
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Re: 2 Contrasting etudes
That's pretty cool....hopefully I don't make that mistake someday when I'm supposed play a funky bass line, and instead come in with a Bach Cello Suite.......Bill Troiano wrote:Although I'm sure everybody is correct in assuming by 2 contrasting etudes, they mean a legato and a technical etude, in the college I teach at, 2 contrasting etudes means, 1 classical and 1 jazz. Go figure!
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Re: 2 Contrasting etudes
Could it be one etude with two contrasting sections?
If so, I highly recommend the last etude in the Rochut book 1. First section is Largo, g minor, pretty lyrical; second section is Presto G major. If you take the second section in one, it's pretty demanding.
One of my favorite Bordogni etudes.
If so, I highly recommend the last etude in the Rochut book 1. First section is Largo, g minor, pretty lyrical; second section is Presto G major. If you take the second section in one, it's pretty demanding.
One of my favorite Bordogni etudes.
SD
I am convinced that 90% of the problems with rhythm, tone, intonation, articulation, technique, and overall prowess on the horn are related to air issues.
I am convinced that 90% of the problems with rhythm, tone, intonation, articulation, technique, and overall prowess on the horn are related to air issues.