If You were introducing Classical Music
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If You were introducing Classical Music
To someone, what would be the first piece you would have them listen to. Only one, please.
Chuck
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Re: If You were introducing Classical Music
How old would this person be, Chuck?Chuck Jackson wrote:To someone, what would be the first piece you would have them listen to. Only one, please.
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I would agree with the piece, but not the movement.wnazzaro wrote:Beethoven Symphony #5 first movement.
The fourth movement has a melody that is more easily "sing-able" with better development. THe first movement is very contrapunctal and can be very difficult to follow after the first few minutes for young or new listeners.
For very young listeners, maybe Mozart is more appropriate. Eine Kleine Nachtmusik?
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Re: If You were introducing Classical Music
Chuck G. got here first, but have they heard great film music? The scores for the first Star Wars movie (which some have accused of being derivative of Holst, which is okay with me because I like Holst), Silverado, and many others would be a good way to demonstrate that orchestral music need not be old or inexplicable.Chuck Jackson wrote:To someone, what would be the first piece you would have them listen to. Only one, please.
Chuck
If they already have that experience, then I agree that Tchaikovsky is the next stopping point. It is to me the most accessible classical music in the repertoire, particularly the tone poems (Romeo and Juliet, 1812, Marche Slave, Capriccio Italien...).
I would avoid Mozart, unless they get to watch Amadeus at the same time. I think Mozart is an aquired taste, and it sounds pretentious and dry to a lot of pop-music fans.
Overt emotion is the ticket for getting started--it has to pull them in through their emotions. As their responses become refined, the emotion can be less overt.
Rick "who himself started with Schubert, but who preferred Tchaikovsky as a young listener for a while before moving on" Denney
Re: If You were introducing Classical Music
Yes, for older folks: This is the cereal that's shot from guns....Rick Denney wrote:Chuck G. got here first, but have they heard great film music?...
If they already have that experience, then I agree that Tchaikovsky is the next stopping point. It is to me the most accessible classical music in the repertoire, particularly the tone poems (Romeo and Juliet, 1812, Marche Slave, Capriccio Italien...).
For the younger crowd, Star Wars or Lord of the Rings.
Re: If You were introducing Classical Music
You left out The Day the Earth Stood Still.Doc wrote:Speaking of film score composers, John Williams' music sounds very similar to the film scores of Bernard Herrmann (Thanks Chuck) I haven't drawn the Holst connection with Herrmann, but I'll consider that in my next listening session. Herrmann's music is pretty exciting, IMHO. He scored "Journey to the Center of the Earth", "Vertigo", "7 Voyages of Sinbad", "Psycho", "Citizen Kane", "Jason and the Argonauts", etc. as well as several TV episodes.
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Re: If You were introducing Classical Music
I guess Williams is guilty as charged, because that's the concept that Lucas was shooting for.Rick Denney wrote:The scores for the first Star Wars movie (which some have accused of being derivative of Holst, which is okay with me because I like Holst),...
I guess we're talking symphonic music in general as opposed to the classical era, correct?
I got one to add -- any of the good PDQ Bach stuff. Peter Shickele was really insightful on his radio programs, and the same feeling comes through in his compositions. Besides, even a cheesy laugh is still a laugh.
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