I once saw a tuba that had a strap around the bell. The player told me that was to reduce bell vibration and darken the sound of that particular tuba.
Has anyone here ever seen that done, or done it? Does that work?
Just curious.
SK
Darken sound with strap
- skeath
- bugler

- Posts: 186
- Joined: Sat Jan 10, 2009 10:11 pm
- Location: McKinney, TX
- Contact:
Darken sound with strap
Sandy Keathley, DMA
https://mckinneyfirearmstraining.com
Yamaha YFB-822S F
Gnagey Holton/King CC
Gone but not forgotten: Alexander 163 CC 5V, Mirafone 186-5U CC, Nirschl 5/4 CC
https://mckinneyfirearmstraining.com
Yamaha YFB-822S F
Gnagey Holton/King CC
Gone but not forgotten: Alexander 163 CC 5V, Mirafone 186-5U CC, Nirschl 5/4 CC
- Alex C
- pro musician

- Posts: 2225
- Joined: Fri Mar 19, 2004 10:34 am
- Location: Cybertexas
Re: Darken sound with strap
skeath.... a suspicious sounding name... and in Dallas, too. hmmmmm
I've seen it done with wide belts and more. My undergrad teacher was lured by Conn to become a Conn artist and make his first Golden Crest album with a Conn baritone horn on the cover.
He hated the horn and Conn promised they would make one to his specs but he had to make the album on the horn they gave him (24i, I think). He used duct tape and cotton balls to deaden the bell. When the Conn president saw him at Mid-West with that arrangement, he had a coronary and they immediately made a heavier, dead bell for him.
He always said "Dead bell, live sound; live bell, dark sound." I don't know if I agree but I'd say put a belt on your horn if you want to. See what you think. Let us know.
PS - they never made the horn and he eventually went back to his beloved Besson euphonium. Still, he made the Conn sound pretty damn good.
I've seen it done with wide belts and more. My undergrad teacher was lured by Conn to become a Conn artist and make his first Golden Crest album with a Conn baritone horn on the cover.
He hated the horn and Conn promised they would make one to his specs but he had to make the album on the horn they gave him (24i, I think). He used duct tape and cotton balls to deaden the bell. When the Conn president saw him at Mid-West with that arrangement, he had a coronary and they immediately made a heavier, dead bell for him.
He always said "Dead bell, live sound; live bell, dark sound." I don't know if I agree but I'd say put a belt on your horn if you want to. See what you think. Let us know.
PS - they never made the horn and he eventually went back to his beloved Besson euphonium. Still, he made the Conn sound pretty damn good.
City Intonation Inspector - Dallas Texas
"Holding the Bordognian Fabric of the Universe together through better pitch, one note at a time."
Practicing results in increased atmospheric CO2 thus causing global warming.
"Holding the Bordognian Fabric of the Universe together through better pitch, one note at a time."
Practicing results in increased atmospheric CO2 thus causing global warming.
- Dan Schultz
- TubaTinker

- Posts: 10427
- Joined: Thu Mar 18, 2004 10:46 pm
- Location: Newburgh, Indiana
- Contact:
Re: Darken sound with strap
I've seen that done while machining brake drums, too! Keeps 'em from 'singing'. Surely it works to kill the resonance on tuba bells, too! You can keep a sousa bell from 'ringing' by putting split icemaker tubing around the rim.
Dan Schultz
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
-
jeopardymaster
- 4 valves

- Posts: 982
- Joined: Thu Dec 08, 2005 4:22 pm
- Location: Ft Thomas, KY
Re: Darken sound with strap
Mike Thornton used it for a while on his Alex, a bit before he bought his Willson. Then when he gave up on the Willson and went back to his Alex, the belt was gone.
He told me it gave him more center and drive to his sound, if I recall correctly. From the audience I couldn't hear a bit of difference, belt or no belt. Alex versus Willson was another matter.
He told me it gave him more center and drive to his sound, if I recall correctly. From the audience I couldn't hear a bit of difference, belt or no belt. Alex versus Willson was another matter.
Gnagey CC, VMI Neptune 4098 CC, Mirafone 184-5U CC and 56 Bb, Besson 983 EEb and euphonium, King marching baritone, Alexander 163 BBb, Conn 71H/112H bass trombone, Olds Recording tenor trombone.