Not worth watching until 1:55, so just skip ahead.

Marching band does not equal orchestra...you play differently in those environments and they require a different attitude. I'm not saying you should blast your head off like some sections do but VSU always puts out a good full sound. If you compare them to any other HBCU sousa section you can hear much more musicianship from them (and UAPB's section from 2008 as well). They have videos where they play soft and don't get about "mf". These colleges have great tuba players. There are videos on youtube of some tuba recitals from HBCU's and they are on par with non-HBCU tuba studio recitals.Steve Marcus wrote:Even in this performance, which contains more dynamic contrast and musical interest than similar sousaphone line features, fortissimo still = BLATT
The question is not "why." The primary purpose is to fill a stadium with noise to excite the crowd with the big horns.
But most of these sousaphone "carriers" (they'd have to earn the title "players") perhaps have not heard the majestic sound of a Warren Deck or other world-class tubist playing at full dynamic level. That sound is, ironically, much more earth-shaking than the blatting that these young people produce because there's much more of the fundamental being heard--and felt--than one can muster while making an ugly blatting sound.
It's not because they're playing SOUSAPHONES! We all know that a well-designed sousaphone in good condition can sound wonderful and musical. As someone who enjoys playing a fine sousaphone for certain genres of music as a respite from playing a concert tuba, these kinds of displays of noise are a shame. These pep rally elephants have no concept of the alternative, probably thanks to their squad/band leader.
This is the reason why I avoid YouTube titles such as "Battle of the Tubas" like the plague.
Unnecessary rant concluded.
Hasn't this sousaphone blatting become a more prominent element of the marching band sound in the last 10-20 years? I don't recall hearing it as much in years past. I'm an old fart who went to high school and college in the '70s. While the basses were always directed to play with full force, "bark" did not equal "blatt." Think of, for lack of a more universally established term (sorry, animal rights advocates), the "dogfight" in Sousa marches. These are often great lines for the tubas to play. Even though they should rise above the rest of the band, they sound so much better with a full, pure tone than with a blatting sound.Arkietuba wrote:Marching band does not equal orchestra...you play differently in those environments and they require a different attitude. I'm not saying you should blast your head off like some sections
I don't believe this is a term that should offend animal rights advocates. This term is borrowed from air combat lingo, as far as I know. Even if it's not, it's something you can say to avoid an argument!Steve Marcus wrote:Think of, for lack of a more universally established term (sorry, animal rights advocates), the "dogfight" in Sousa marches.
Well said!Steve Marcus wrote:This was a rare instance where I chose to post on TubeNet what is admittedly a "opinion" rather than an irrefutable, documented fact. I should have expected responses that were just as vehemently in favor of the current practice of sousaphone lines in marching bands as mine was against the "blatting" sound. Just to clarify, that particular sound quality is my ONLY objection to what is heard from sousaphones today in marching bands. There are some innovative and wonderful arrangements for the bass line in full band charts and, as this video illustrates, some "sousaphone ensemble" arrangements with full harmony and counterpoint that work very well!
Hasn't this sousaphone blatting become a more prominent element of the marching band sound in the last 10-20 years? I don't recall hearing it as much in years past. I'm an old fart who went to high school and college in the '70s. While the basses were always directed to play with full force, "bark" did not equal "blatt." Think of, for lack of a more universally established term (sorry, animal rights advocates), the "dogfight" in Sousa marches. These are often great lines for the tubas to play. Even though they should rise above the rest of the band, they sound so much better with a full, pure tone than with a blatting sound.Arkietuba wrote:Marching band does not equal orchestra...you play differently in those environments and they require a different attitude. I'm not saying you should blast your head off like some sections
Perhaps it's YouTube and other media that have enabled access to many more bands than one would have been able to hear in previous decades; thus the exposure to bands who blatt.
The responses to my so-called "rant" have been constructive and non-berating nor offensive. Thank you for your viewpoints.
I'm ready just need a time and place!b.williams wrote:LOL! What a fun video!! I wonder if we could put together an old fart (50+) sousaphone section to do battle with these young pups?
Florida A&M University had a section of 40+ last season. I would love to seem them go head to head with VSU's Horsepower.b.williams wrote:LOL! What a fun video!! I wonder if we could put together an old fart (50+) sousaphone section to do battle with these young pups?
Making the crowd cheer is what they are there for. I think they've done their job very well. I'm lucky to have experienced this firsthand. I wish all tuba player could. The loudest cheers I get now is at our children's concert when I lift up my horn....but those cheers are only because it's big......not because of what comes out of it.Arkietuba wrote: They are doing what they love, what the fans love and isn't that more important than not EVER blatting a note?