Quick question for all you Romantic music connoisseurs: Is there a particular rendition of Berlioz's Symphonie Fantastique that is considered to be the "definitive" recording? I heard several movements of the piece performed recently and want to pick up a recording of the full symphony, but don't know which orchestra did it "best," if such a term applies. Thanks in advance.
-Tim
"Definitive" recording
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Re: "Definitive" recording
Montreal Symphony - Dutoit
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Re: "Definitive" recording
Cool, thanks. Any second opinions?
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Re: "Definitive" recording
Define definitive. Is it the most authentic one, that uses the most out of tune original awfulclydes they could find? Is it the Pokorny / Mendoker one with the 2nd tuba down two octaves in the Dies Irae? Is it the Deck one or the Jacobs one where they blow the mics off the stage?
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Re: "Definitive" recording
The Abbado CSO is also great.
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Re: "Definitive" recording
My personal favourite is the Gergiev/Vienna Phil. The tubas (F?) sound really sinister!
http://www.arkivmusic.com/classical/alb ... m_id=77236
http://www.arkivmusic.com/classical/alb ... m_id=77236
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Re: "Definitive" recording
I second that. Such an amazing recording..Kory101 wrote:Montreal Symphony - Dutoit
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Re: "Definitive" recording
Indeed -- where would one find (and how would one determine, let alone define) the definitive definition of "definitive"?MartyNeilan wrote:Define definitive.

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Re: "Definitive" recording
I guess I meant the one most people would refer to if they were talking about the piece. If you were examining the nuances of this symphony, which recording would you use as the "best example" overall? Period instruments not required, though I'm sure many people would differ on that point. Sorry to be hazy.MartyNeilan wrote:Define definitive.