l'il bloke

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Dylan King
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Re: l'il bloke

Post by Dylan King »

What really sticks out in this photo is the mouthpiece. Nice!
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Re: l'il bloke

Post by bisontuba »

Man's horn......

Mark
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Re: l'il bloke

Post by Cameron Gates »

Joe, is that thing hafazzed useable? Can one find the partials and produce anything of value?

I have always wanted to try one of the monsters we have all seen pictures of. Where was this one?

Also, I assume Allied has replacement parts, right?
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Re: l'il bloke

Post by Rick Denney »

And all this time I thought Mike had class. But he'll let just anybody come over.

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Re: l'il bloke

Post by Rick Denney »

Cameron Gates wrote:Joe, is that thing hafazzed useable? Can one find the partials and produce anything of value?

I have always wanted to try one of the monsters we have all seen pictures of. Where was this one?
It wasn't for me--I could not make recognizable notes on it, and certainly not with any semblance of tone. But I'm sure Joe was able to put a better signal into it.

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Re: l'il bloke

Post by MartyNeilan »

That's the posture I see most trombone players using...
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Re: l'il bloke

Post by imperialbari »

Image

I note bloke’s personal bookmarks on top of this screenshot.
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Re: l'il bloke

Post by imperialbari »

And he even broke the Bell curve.
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Re: l'il bloke

Post by mbell »

I thought Bloke got a very good sound out of that big 'ol horn. Maybe this would make a good ad campaign:

"You can play any horn with a Sellmansberger mouthpiece!"

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Re: l'il bloke

Post by imperialbari »

schlepporello wrote:
bloke wrote:Here's l'il bloke playing a CCC tuba.

Image

bloke "the Penderecki Capriccio..." :|
Pam says I can't have one. :cry:
Because it isn’t a Pam American model?

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Re: l'il bloke

Post by hup_d_dup »

Can you tell us something about this tuba? It has a striking appearance (quite apart from its size), and appears to be expertly fabricated ... at least to my eye.

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Re: l'il bloke

Post by Rick Denney »

hup_d_dup wrote:Can you tell us something about this tuba? It has a striking appearance (quite apart from its size), and appears to be expertly fabricated ... at least to my eye.

Hup.
It is the Gerard Hoffnung tuba:

http://www.musicweb-international.com/h ... /biog6.htm

Image

It was made by Paxman. It's the same tuba, but a bell attachment point was added (maybe Mike knows when) to make it possible to move it through doorways.

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Re: l'il bloke

Post by hup_d_dup »

Thanks. This is all totally new to me (I haven't been a tuba player for very long).

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Re: l'il bloke

Post by tbn.al »

What no false tones? :wink: :wink: :wink:

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Re: l'il bloke

Post by imperialbari »

bloke wrote:I was disappointed that it was only outfitted with three valves - limiting the low range of the instrument...

:roll:
But then it has this preset octave valve.

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Re: l'il bloke

Post by k001k47 »

Definitely something I'd want (assuming I'd ever play it) to haul in to play those huge (rare) low brass orchestral excerpts.

EDIT: or Ride of the Vakyries
Last edited by k001k47 on Fri Feb 24, 2012 3:59 pm, edited 1 time in total.
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Re: l'il bloke

Post by Rick Denney »

k001k47 wrote:EDIT: or Ride of the Vakyries
Yes, then the 32nd notes, instead of being too long as they are normally played, can be nonexistent.

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Re: l'il bloke

Post by k001k47 »

It must be the tuba. has to be the tuba
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Re: l'il bloke

Post by Steve Marcus »

Hoffnung.jpg
The piece that was written specifically with this subcontrabass tuba in the instrumentation was "Variations on Annie Laurie." In the 1956 live performance recording, Gerard Hoffnung himself played occasional low notes on this horn throughout the piece, and then played the full "Annie Laurie" melody in the key of C at the end.

That melody is still very playable on that 3-valve tuba at Mike's; I just had to take more breaths than good phrasing would normally dictate. The first note of the melody is the lowest CCC on the piano; the high note is an octave above that. Since the open partials in that octave are CCC, GG, and CC, (one octave below a standard CC tuba), no privileged notes were necessary.

As a "grand finale" for my wife, I played "Edelweiss" in the first key in which that song was ever publicly performed (Theodore Bikel): F Major. So the melody began on the lowest AAA of the piano. Yes, you can play these pedal tones on a standard CC tuba. But they really sounded...unique on the subcontrabass tuba. Ummm, how romantic.

Sorry, no Ride on that beast.

Thanks, Mike, for a truly one-of-a-kind experience.
Last edited by Steve Marcus on Mon Apr 30, 2012 8:53 am, edited 3 times in total.
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Re: l'il bloke

Post by k001k47 »

Very cool story. Thanks for sharing
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