I'm quite interested at how these horns play, and just some info about the horn. I've played the BBb counterpart to this horn, the 191, but I haven't played the 291. I'm not a rotar guy, but am just trying to gather info on it. Bore size, height, weight, etc.
Thanks in advance.
Best,
Zac
Bruckner 291
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TubaZac2012
- 3 valves

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- Joined: Mon Sep 26, 2011 7:44 am
- Location: Florence, Alabama
Bruckner 291
Zac Riley
Shoals Community Band
Twickenham Winds
Huntsville Brass Band Contrabass Tuba
Madison Community Symphony Orchestra
York/King/Reynolds Custom Tabor Build Franken York CC
Shoals Community Band
Twickenham Winds
Huntsville Brass Band Contrabass Tuba
Madison Community Symphony Orchestra
York/King/Reynolds Custom Tabor Build Franken York CC
- swillafew
- 5 valves

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- Location: Aurora, IL
Re: Bruckner 291
I played Roger Lewis' demo last year. I am amazed these aren't more popular, it was a very attractive horn in every way.
MORE AIR
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TubaZac2012
- 3 valves

- Posts: 319
- Joined: Mon Sep 26, 2011 7:44 am
- Location: Florence, Alabama
Re: Bruckner 291
I ask because I'm in the process of selling my Willson, for a new sound, and I'm thinking the Thor is what I'm wanting to hold out for. I was just curious about this horn because I was offered one in a trade for my Willson.
Keep the comments coming!
Keep the comments coming!
Zac Riley
Shoals Community Band
Twickenham Winds
Huntsville Brass Band Contrabass Tuba
Madison Community Symphony Orchestra
York/King/Reynolds Custom Tabor Build Franken York CC
Shoals Community Band
Twickenham Winds
Huntsville Brass Band Contrabass Tuba
Madison Community Symphony Orchestra
York/King/Reynolds Custom Tabor Build Franken York CC
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adsteve
- bugler

- Posts: 122
- Joined: Tue May 04, 2010 8:26 am
Re: Bruckner 291
I had a friend who owned one of these for awhile and I got a chance to play on it quite a bit. I currently play on a piston 1291 CC and I think the Bruckner plays very similar to it, maybe with a larger sound. I've owned rotary horns in the past and things like Fountains and Ride took a bit more effort than with my 1291. However, on the Bruckner they were played as easy as on my piston horn.
In typical miraphone style, these horns have a great sound and are very even throughout the registers. This is probably one of my favorite rotary horns I've played. (Disclaimer: I don't claim to have played an abundance of rotary horns)
In typical miraphone style, these horns have a great sound and are very even throughout the registers. This is probably one of my favorite rotary horns I've played. (Disclaimer: I don't claim to have played an abundance of rotary horns)
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Jim Andrus
- bugler

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Re: Bruckner 291
I played one of these at a couple weeks back and I was highly impressed. I had previously heard that these were smaller than to be considered 5/4 (I hate the 4/4, 5/4, 6/4 system) however I found this to not be the case at all. It is every bit big enough to fulfill most any need you could have. It's a nice tuba. Intonation is rock solid. Tone quality is stunning, and the response is almost instantaneous. It has a nice, big, warm, rich, fun low register, and the high and mid registers are great too. I am more of a piston guy and ultimately ended up liking the Miraphone 1293 even more than the Bruckner. To me the 1293 has a sound that is slightly bigger and broader, especially in the low register thanks to the XL fifth valve. It felt a bit heavier to me, not sure if the two are made of different thicknesses of metal though. Anyone know? I think that the larger bell of the 1293 reflects more of the high overtones back into the horn giving it that darker sound. To me the 1293 was everything that I wanted the Thor to be. Better intonation, much more interesting sound (IMHO), and just as easy of a low register but not as "bitey". I think it would fit great in an orchestra. The Bruckner would as well, it just seems to have a slightly more covered sound, and just feels ever so slightly smaller than the 1293 but is still definitely a "5/4" tuba that can hold it's own with the big boys. Both of them are two of the best tubas I've ever played though and I would highly recommend either.
Hope that helps,
Jim Andrus
Hope that helps,
Jim Andrus
Last edited by Jim Andrus on Thu Mar 06, 2014 3:57 pm, edited 1 time in total.
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tubalex
- pro musician

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Re: Bruckner 291
I really like mine. I've used it with big and small orchestras, chamber groups, lots of solos. It is a terrific "all around" instrument.
Not to post click bait, but I have many recordings of myself using my 291 at my youtube channel if you'd like an immediate sense of what I can do with mine: https://www.youtube.com/user/tubalex2112" target="_blank
Not to post click bait, but I have many recordings of myself using my 291 at my youtube channel if you'd like an immediate sense of what I can do with mine: https://www.youtube.com/user/tubalex2112" target="_blank
Last edited by tubalex on Sun Feb 23, 2014 9:59 am, edited 1 time in total.
Alexander Lapins, DM
Eastman Musical Instruments Artist
University of Tennessee Faculty
Blue Lake Fine Arts Camp Faculty
Quintasonic Brass
http://www.music.utk.edu/faculty/lapins.php
Eastman Musical Instruments Artist
University of Tennessee Faculty
Blue Lake Fine Arts Camp Faculty
Quintasonic Brass
http://www.music.utk.edu/faculty/lapins.php
- jimmilo
- bugler

- Posts: 30
- Joined: Tue Feb 12, 2013 3:46 pm
- Location: Boise, Idaho
Re: Bruckner 291
I may not be this best guy to get advice from regarding your questions about the Bruckner but I thought I'd chime in anyway.
I'm a B flat player who is making the switch to the merry old land of CC. I test played a bunch of CC tubas and I bought a Bruckner about two weeks ago.
The Bruckner was the most free blowing tuba that I tried, Gronitz, Alexander and other Miraphones. Probably due to its large valve set. The tone was warm and I could play it at all volume levels easily. The low range, which I struggle with normally, is amazing on the Bruckner. It sits comfortably in my lap and is a joy to play.
I do have some intonation issues with it. The open C through A flat below the staff requires that I lip up about a half step to be in tune. It is easily done and I can do it but it takes a conscious effort to do so. I don't know if this has anything to do with me being a B flat player or I have a lousy embrasure or not. This is an issue I will conquer on my musical journey.
My overall impression of the Bruckner is very positive. I must tell you that I am a rotor guy. Rotor horns are much easier on these old arthritic fingers and hands then pistons.
Good luck!
I'm a B flat player who is making the switch to the merry old land of CC. I test played a bunch of CC tubas and I bought a Bruckner about two weeks ago.
The Bruckner was the most free blowing tuba that I tried, Gronitz, Alexander and other Miraphones. Probably due to its large valve set. The tone was warm and I could play it at all volume levels easily. The low range, which I struggle with normally, is amazing on the Bruckner. It sits comfortably in my lap and is a joy to play.
I do have some intonation issues with it. The open C through A flat below the staff requires that I lip up about a half step to be in tune. It is easily done and I can do it but it takes a conscious effort to do so. I don't know if this has anything to do with me being a B flat player or I have a lousy embrasure or not. This is an issue I will conquer on my musical journey.
My overall impression of the Bruckner is very positive. I must tell you that I am a rotor guy. Rotor horns are much easier on these old arthritic fingers and hands then pistons.
Good luck!
Jimmy Lowe
Miraphone 291 Bruckner
Wessex Mighty Gnome
Miraphone 291 Bruckner
Wessex Mighty Gnome
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tubajoe
- pro musician

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Re: Bruckner 291
One of my favorite tubas I have tried -- played one for quite a while at the Miraphone factory. Had I need for it, I may have bought it on the spot. It's big sounding, but not tubby or fuzzy. The rotary setup has got a bit more pop than many 5/4 piston horns I've played. It's got a bit more (*modern*) depth than a 188, but responds a lot like it. It's a superb horn; it has character which I feel many horns lack. It's big enough to shake some ground, but you also won't feel like you are driving a semi through rush hour traffic; and it's stable through all octaves.
"When you control sound, you control meat." -Arnold Jacobs