Also...if anyone is looking at selling an adult-sized viola, maybe we can work something out.
Thanks in advance!

But the 16" is preferred because it burns longer than the smaller, student models, right?the elephant wrote:Regardless of price they all make great firewood.
I believe there is a 12-step program to help you with this.the elephant wrote:... My viola is a 17" Yamaha. ...
My name is Wade and I am a violist.the elephant wrote:The first step is admitting that I have a viola. So recovery is possible, in my case...Mark wrote:I believe there is a 12-step program to help you with this.the elephant wrote:... My viola is a 17" Yamaha. ...
Indeed. It did not bring reserve, so maybe they will be in a mood to negotiate price.tbn.al wrote:I understand Sotheby’s may have one for sale soon. You might want to look into that one.
The source of the viola grudge is a mystery to me too, Callaway. I'd bet your bass trombonist friend might feel differently if he took a few lessons on the viola. I've liked violas for a very long time. I even own one. Viola is a fine instrument with a nice expressive sound. I can't understand why people joke about them. There are many things to joke about. Jokes are fun, humorous, and contribute to group bonding. But, hey, leave the viola alone, you viola haters. Frank, the violist in the video below, will kick your butts if you don't mend your ways. He's taking names.emcallaway wrote:I once played with a very talented bass trombonist who would always turn to me and sneer "Frickin' violas" whenever the viola section was being rehearsed...or really ever mentioned at all. He never did explain the source of his grudge against them.
Yes, I know what you mean.Mark wrote:IMHO: Professional viola players are fine musicians. In amateur orchestras, a lot of the violists are playing viola because they couldn't cut it on violin. I have heard some amateur viola sections that could cause permanent psychological damage to some one with good intonation.
Mark wrote:I have heard some amateur viola sections that could cause permanent psychological damage to some one with good intonation.
I fear that this may sum up the situation pretty well for him. Then again, it is also possible that (being the string section that is situated closest to the his bell, he had to vilify them to not feel guilty about playing in their general direction with enough volume to remove the paint from most walls.Donn wrote:My hunch is that the particular individual mentioned above may have already had some bitter trauma at the hands of a viola player.