The Sousaphone's direct ancestors

[David Richoux]

The man in the picture is much smaller than Mark Rubin, I think that's a safe bet.

That is true, I have met Mark in person. However, I think the other horn is larger.

[opus37]

I have two helicons and one sousaphone. I tend to choose the helicons over the sousaphone when marching. I like the balance of the horn and light weight. The crowds like the uniqueness of the horn. The band I march with puts the tubas in the front row so we stand out. I really like my 1892 horn it is very small and light and has a wonderful tone. I get a lot of "what's that?" looks from the crowds. The sound is directed forward and a little up. It seems to be just right. The 1921 horn has a bigger bell and is a bit heavier. It does very well too. If there is a problem with helicons it is they require a lot of room to transport. If I were designing a new version, I'd find a way to have a detachable bell. Maybe even have the bell have two parts, a cone and a bell. Doing that with proper balance would be a bit of an engineering problem. Keep the weight down would also be important. I play an Eb so I'm not an authority on the most popular keys for the horn, but I would suspect BBb should be seriously considered. The sousa I have is four valves and a big bore. It is the ideal concert horn for outside. I would think it too heavy to march comfortably. The sound is outstanding.

[mcfolks]

I have two helicons: an raw brass 1885 Conn Eb and a silver 1918 Conn BBb. I love 'em! I play in a Dixie group and the 1918 is perfect. It points out to the crowd, while I still face into the group or director (as long as I'm on the left side of the band!). I recently did some solo work with our concert band and it played great! I do have to be mindful of the person on my left, as the bell points directly into their ear!
It's an easy horn to march with, plays great, and draws a lot of nice comments.....