Sousaphone color preference
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Sousaphone color preference
Vote in this poll as to what kind of color of sousaphone do you prefer playing.
Hank74
Hank74
- windshieldbug
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- Kevin Hendrick
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- Kevin Hendrick
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- Daryl Fletcher
- 3 valves
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- dmmorris
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- Leland
- pro musician
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One of the coolest combinations I've seen was satin silver with a gold wash bell. I've also dug shiny silver with the gold bell.
I had used a gold-colored all-plastic sousaphone, too. I couldn't tell if the pistons themselves were plastic because the valve tops were stuck. Not saying that I liked it, though.. lol
I had used a gold-colored all-plastic sousaphone, too. I couldn't tell if the pistons themselves were plastic because the valve tops were stuck. Not saying that I liked it, though.. lol
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- windshieldbug
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- 3 valves
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Well, at least your marching would always look clean. And you could sneak your sousaphone in with you on Mission: Impossible-type raids on museums and corporate headquarterseses and stuff. Plus, no need to polish. Overall, I think it would be a positive thing.windshieldbug wrote:Then people would keep walking into it; it might be prone to dents, or cause them to knock you over!Charlie Goodman wrote:What about a Hirsbrunner "Stealth" sousaphone?
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Yep, you got that right! I kinda like the look of my 1927 Conn 38K satin gold sousaphone.Lew wrote:You left off satin gold with bright gold trim and bell. That is my favorite look. I think that whatever finish you use on a brass sousaphone has very little to do with how it plays.

Dave Schaafsma

1966 Holton 345 | 1955 York-Master | 1939 York 716 | 1940 York 702 | 1968 Besson 226 | 1962 Miraphone 186 | 1967 Olds | 1923 Keefer EEb | 1895 Conn Eb | 1927 Conn 38K | 1919 Martin Helicon

1966 Holton 345 | 1955 York-Master | 1939 York 716 | 1940 York 702 | 1968 Besson 226 | 1962 Miraphone 186 | 1967 Olds | 1923 Keefer EEb | 1895 Conn Eb | 1927 Conn 38K | 1919 Martin Helicon
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