Thanks!

IT'S DONE!!!! CHECK OUT MY POST ON PAGE 2
Nope, it's an Olds. I'm not sure of the model.bloke wrote: Whatcha got?...an old 36K Conn?
Can do! Should I put a primer on the tuba BEFORE I spray the color on.bloke wrote: With the gold, you might consider TWO cans and TWO people: One person painting for 10 seconds or so at a time, and the other person shaking the alternate can to "switch off". With the gold paint, buy the most expensive brand...and the one with the glossy gold cap.
You bet it's PIMP'D! I was thinking of taking a picture of our tuba player wearing the sousaphone and holding a sign that says "I've been OVERHAULED"Tubaryan12 wrote:let me pop you collar because you tuba has been officially PIMP'D
Well, the fiberglass on the sousaphone was SOOOOO terrible, that there were holes....not cracks....holes that were patched somewhere in the instrument's 25+ year life time. These patches were REALLY poorly done. The work that Curtis did on repairing the holes was superb. You can NOT tell, that there were ever any holes. The structural intergrity since the repairs has improved GREATLY. The paint itself doesn't effect the resonance. The slides could probably stand to have some dents removed. I think the dent in the 3rd valve slide might be enough to make it a little stuffy. I have a feeling I will have the thing "Stofer-ized" (Lee Stofer) during the off season.jmerring wrote:Congratulations are in order! It looks absolutely stunning
Didn't that process make a horn that was already non-resonant and make it play even more dead?
The fiberglass on this sousa was extremely brittle. The joints where the valveset and tubing attaches to the body was very brittle. (You had warned me about that.) When Curtis took the sousa apart (something he had never done before) he reinforced ALL of those connecting posts with NEW fiberglass. When I sent the sousa to him, it felt really delicate. I used to pick it up and it would rattle and make a creaking sound. When it came back from the repairs, it felt REALLY solid and much more durable.bloke wrote:So.....What do you think BLOKE??
I think it's gorgeous...' looks like the finish you would expect on one of those snazzy european fiberglass sousas or tubas.
I have one Olds fiber sousa that I've had in pieces in a box for a long time. The three body-mount studs are very solid, but I'm almost afraid to do a restoration and sell it, because those studs (once most any high school kid gets it) and the fiberglass in which they're imbedded is so old and (likely) brittle, I figure it will have a practical life of one marchin' band season...I've kinda been waitin' to fix it up and sell it to some (likely gentler) adult end-user.