Hello everyone,
Does anyone have experience with the Besson 794? After playing on one for awhile with lots of practice on it, I am wondering if the tuba is too big for me. It seems like the low register is largely unusable. No matter how much air I put into the horn, those low notes (from F two octaves below staff and below) don't come out well and aren't usable.
Have others found this horn difficult to fill out in the low register? My last horn was a Conn 10J, obviously not too bad in terms of air volume.
Besson 794
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Re: Besson 794
Morning,
Not enough intel for people to answer your question precisely.
Age and condition of your horn?
For example: depressing the 4th piston pulls in the compensating system (extra pipe length). This can feel stuffy in the low end over a non-compensating horn. However, my 782 had a tiny corrosion hole in it, which led to a loss of power in the low register - had to work really hard, too hard to make a noise. Hole was plugged and all is fine now.
Not enough intel for people to answer your question precisely.
Age and condition of your horn?
For example: depressing the 4th piston pulls in the compensating system (extra pipe length). This can feel stuffy in the low end over a non-compensating horn. However, my 782 had a tiny corrosion hole in it, which led to a loss of power in the low register - had to work really hard, too hard to make a noise. Hole was plugged and all is fine now.
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Re: Besson 794
As Geoff said, we need more info:
1) age of horn
2) condition of horn
3) mouthpiece - if you are using a Wick 1 with its large throat, you need a third lung to blow the low notes, even on a horn in perfect condition (from experience)
4) the ensemble you are playing in
5) are you referring to notes below the F 4th valve below open BBb two ledger lines and a space below the bass clef
6) have you had any other work done to the horn
With no more information, it does sound like a leak or a bad brace or an obstruction.
1) age of horn
2) condition of horn
3) mouthpiece - if you are using a Wick 1 with its large throat, you need a third lung to blow the low notes, even on a horn in perfect condition (from experience)
4) the ensemble you are playing in
5) are you referring to notes below the F 4th valve below open BBb two ledger lines and a space below the bass clef
6) have you had any other work done to the horn
With no more information, it does sound like a leak or a bad brace or an obstruction.
Jupiter JTU1110
"Real" Conn 36K
K&G 3F
"Real" Conn 36K
K&G 3F
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Re: Besson 794
Yeah here is the info:iiipopes wrote: ↑Thu Mar 03, 2022 10:28 am As Geoff said, we need more info:
1) age of horn
2) condition of horn
3) mouthpiece - if you are using a Wick 1 with its large throat, you need a third lung to blow the low notes, even on a horn in perfect condition (from experience)
4) the ensemble you are playing in
5) are you referring to notes below the F 4th valve below open BBb two ledger lines and a space below the bass clef
6) have you had any other work done to the horn
With no more information, it does sound like a leak or a bad brace or an obstruction.
1990 horn (made in England). Great condition post restoration. Has a 4 valve block from a Yamaha 321 installed, but tied into existing tubing. Plays great in other registers. Non compensating horn.
I do an electrobrass project, don't play in an ensemble.
Yes, the lower range is the octave below the octave below staff is the issue. It's like blowing into a trash bag.
Perantucci 64 mouthpiece.
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Re: Besson 794
Bump
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Re: Besson 794
Eight spaces below the staff. I could get a usable low E out of the 10J. The 794 isn't the best horn overall, it has several intonation issues, but works for me in a rock type project. But the low register (below low F#) is unusable.
Last edited by elimia on Mon Mar 07, 2022 9:28 pm, edited 1 time in total.
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Re: Besson 794
That's a lot of custom work.
1990 was a good year at the Edgware Factory, London, from a build standard perspective.
The BBb 794 is from the "Imperial" family and is a tried and tested model.
It had a 3 + 1 piston arrangement and is a compensating horn in its as-built state.
Fitting a YBB 4-in-a-row block and loosing the compensation is quite a modification of pipework.
Certainly worth getting it checked out by a tuba fabricator/ repairer to make sure all is good with your horn's modifications.
I play a PT-65 on my 782 EEb (1982 build) and have a PT-64 in my collection.
I don't think I'd use either playing a BBb, especially the PT-64 which I use for high range work only.
If I wanted to go low I'd use a Bach 24AW or Denis Wick 2L (in the UK, that is) with a B&H/ Besson BBb.
But mouthpieces are a very personal choice.
1990 was a good year at the Edgware Factory, London, from a build standard perspective.
The BBb 794 is from the "Imperial" family and is a tried and tested model.
It had a 3 + 1 piston arrangement and is a compensating horn in its as-built state.
Fitting a YBB 4-in-a-row block and loosing the compensation is quite a modification of pipework.
Certainly worth getting it checked out by a tuba fabricator/ repairer to make sure all is good with your horn's modifications.
I play a PT-65 on my 782 EEb (1982 build) and have a PT-64 in my collection.
I don't think I'd use either playing a BBb, especially the PT-64 which I use for high range work only.
If I wanted to go low I'd use a Bach 24AW or Denis Wick 2L (in the UK, that is) with a B&H/ Besson BBb.
But mouthpieces are a very personal choice.
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Re: Besson 794
Yeah, definitely not a compensator, it doesn't have the extra tubing. I suspect that the inline 4 valve block maybe has changed its playing characteristics, but I don't have any idea what baseline compression/low register looks like on an old 794. I'll probably keep it, as it has a very nice resonant ringing 'Besson' sound, but just won't be able to use the low register.