sousaphone lyre
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sousaphone lyre
This fall I will be starting my first year of collegiate marching band and will need to provide my own lyre. I have never used a sousaphone lyre before and thus, when shown a box of many different used models at Rayburn Music, I knew I was in over my head. I bought two different styles, but how do I know which is best/correct one?
- Rick Denney
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Re: sousaphone lyre
It is very difficult to find an off-the-shelf lyre that will work for a given person on a sousaphone. Each person has a particular arrangement of the gooseneck and bits to get a comfortable (relatively) position, and no lyre will be perfect.Biggs wrote:This fall I will be starting my first year of collegiate marching band and will need to provide my own lyre. I have never used a sousaphone lyre before and thus, when shown a box of many different used models at Rayburn Music, I knew I was in over my head. I bought two different styles, but how do I know which is best/correct one?
I would suggest getting a universal straight lyre with a long shaft, and then bend it and trim it for length after you have figured out how to wear the instrument most comfortably for you.
Rick "who was required to memorize music for marching band back in the day" Denney
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Interesting. I will continue to look for the longest available model then. I usually memorized my sousaphone music in high school, but now that I am going to have access to a *nice* sousaphone (i.e. one where the bell and the body are from the same instrument, one that has a square rather than round lyre hole, one with valve stems that approach vertical, etc.) I may as well take advantage of the lyre/folip setup.
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Are you going to die without a lyre? I always held my music with my left hand, if the neck and bits fit and don't move, this is a good option. If you're going to be disciplined in some way (and I can't see why you would) then I guess I'd go with Mr. Denney's approach.
I was also required to memorize, and I'm sure you will be too.
I was also required to memorize, and I'm sure you will be too.
Thomas Peacock
Huttl for life
Schilke 66
Huttl for life
Schilke 66
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- OldBandsman
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I recently went through this lyre business for my helicon.
Starting with a straight stem was a good idea because I needed to get the music the right distance and right vertical position to fit with my trifocal glasses... sure do like to see the black spots out there.
I finally put in two bends, neither at 90 degrees. I knicked the inside of each bend location, heated it up, slid it into the vise and hammered the stem into shape. A reasonably easy project.
John
Starting with a straight stem was a good idea because I needed to get the music the right distance and right vertical position to fit with my trifocal glasses... sure do like to see the black spots out there.
I finally put in two bends, neither at 90 degrees. I knicked the inside of each bend location, heated it up, slid it into the vise and hammered the stem into shape. A reasonably easy project.
John
- Dan Schultz
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You probably shouldn't do ANY twisting while the lyre is on the horn. I've seen the lyre holder 'pop off' from doing this. It's best to take the horn and lyre to a work area where there is a vise and a small crescent wrench and use a little trial and error to make the lyre fit.bloke wrote: When twisting sideways, do not twist by holding on to the lyre part. You will greatly weaken it, if not completely break it off.
Dan Schultz
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Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
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