Popular music in mixed meters.

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lprince
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Post by lprince »

tool, dave matthews (that sattelite tune), pink floyd (money has some 7)

not so popular but rush and dream theater and all those cool guy prog rock bands
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Leland
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Post by Leland »

There's the closing credits music to the Incredibles, too -- called the Incredits (can't say whether it's "popular" or not, though). Goes between 5 and 7 with some other stuff in there.
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Post by pulseczar »

mixed meters? I don't quote understand what you mean, but if you listen to Dream Theater, they use alot of odd meters in their music as well as changing meters. Listen to Home or Erotomania.
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Post by Dylan King »

ZAPPA
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Post by tubiker »

Peter Gabriel - Solsbury Hill
Dave Brubeck - Take 5
New Order - True Faith
Clannad - The Golden Ball

I fully sympathise with your search for mixed metre which is accessable to children - the big problem is that (most) pop/rock stuff is for dance, it needs to be in regular even patterns to avoid falling over :( - well you try having a bop around the floor in 5/4 or where you have a regular 4 bar pattern and then every now and again an extra bar is popped in.

:D

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Last edited by tubiker on Sat Oct 01, 2005 4:12 am, edited 1 time in total.
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kegmcnabb
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odd times

Post by kegmcnabb »

Jethro Tull - Living in the Past is in 5/4 and has the advantage of featuring a non-traditional intrument in pop (even if it is a flute).

Plus, I second MSM's recommendation of Zappa.
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Post by CrappyEuph »

There is a Stereolab cover of a Manic Street Preachers song called "Tsunami" that is in 11/8.

There's a pretty popular song called "I Love Rock and Roll" that lots of bands play, and at the end of the chorus there's a bar of three. It is amusing to hear a whole crowd of people clapping enthusiastically on 2 and 4 and then suddenly hesitate when they realize they've been tricked into clapping on 1 and 3.

Edit: Radiohead's Paranoid Android features an interlude in 7/4 (or changing meter between 4 and 3) - that's a pretty widely known song.

- Jamie
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Post by Leland »

MellowSmokeMan wrote:ZAPPA
'Specially the bridge in Catholic Girls.

The Meridian Arts Ensemble closed with their rendition of Black Page in their concert in my college town (way out in the middle of Nebraska), and they had the audience clap on beat 4 of every other measure. Funny as hell, because they gave big "clap here!" cues each time to guide the audience along.
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Post by Charlie Goodman »

If anybody listens to screamo/hardcore, sometimes the breakdowns can get into some weird meters.

"Money" by Pink Floyd is in 7/4.
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Post by Scott Sutherland »

There's a tune by Sting that is in 5, but I can't remember the title off the top of my head. Did a double take at the concert when he started playing!
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Post by Leland »

Scott Sutherland wrote:There's a tune by Sting that is in 5, but I can't remember the title off the top of my head. Did a double take at the concert when he started playing!
"Seven Days" is in 5 -- goes through the days of the week. Was it that one?

There's also "Love Is Stronger Than Justice" off the same album, which is largely in 7.
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Post by Jonathan Fowler »

"Morning Bell" by Radiohead is in mixed meter-sounds like 5/4 or 10/8 but is organized as 6/8 2/4
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Post by finnbogi »

I'm not sure whether it still counts as popular, but Mary Magdalene's song from Jesus Christ Superstar is in 5/8. I can't remember the name right now.
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Post by kegmcnabb »

finnbogi wrote:I'm not sure whether it still counts as popular, but Mary Magdalene's song from Jesus Christ Superstar is in 5/8. I can't remember the name right now.
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Post by Leland »

How could I forget -- anything on the "Live At Monterey!" album by the Don Ellis band. The neat song titles were "33 222 1 222" and "27/16".

Certainly not popular, but they really groove.
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Post by dtemp »

Check out the Brian Wilson Smile album.
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Post by Joe Baker »

Leland wrote:How could I forget -- anything on the "Live At Monterey!" album by the Don Ellis band. The neat song titles were "33 222 1 222" and "27/16".

Certainly not popular, but they really groove.
After his death, Don Ellis' parents donated his music, instruments, Grammy award, etc. to Eastfield College. I was a student there at the time, playing lead trombone in the jazz band. We played a bunch of his mixed meter stuff in a dedication concert. I remember one in particular called "Final Analysis" (we called it "Spinal Paralysis" :lol: ) that was in 27/16 -- that's sixteenth-note patterns of 4-3-4-3-4-3-3-3 in EACH bar, at 1/4=180. I had never needed to do double- OR triple-tonguing before that concert (one of my few really strong skills: VERY fast single-tonguing), so I had about a month to become a multi-tonguing stud. Ellis was "out there", but -- unlike a lot of guys who are "out there" -- he was "out there" in an overall very musical, accessible direction. Ellis died as his career was still on the rise. I wonder if his work would have had more impact on popular music if he'd lived longer.
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Post by UDELBR »

Glad someone mentioned Don Ellis! I was also thinking of Hank Levy, who wrote predominantly odd-metered charts.
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Post by windshieldbug »

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Post by tubatooter1940 »

Many guitarists have played alone for too long and develop bad habits that result in mixed meters. Muddy Waters?
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