cc Tuba
-
Arkietuba
- 3 valves

- Posts: 339
- Joined: Thu Nov 11, 2004 7:36 pm
A year ago I made the switch. I didn't have a huge problem switching (I think it was b/c I HAD to learn from day one). The very first day of the switch I had brass choir and I was first chair and I had a ton of solos. Then I had a recital scheduled the next month. I learned Air and Bouree really quickly and even managed to make it "flashy" by playing the Bouree at half note equals 100 (that wasn't intentional...I was a little nervous). My advice is to play the CC for atleast 2 hours a day (I did 4 hours since I had no life last year). You will be amazed at how much you can achieve when you practice 4 hours a day.
- iiipopes
- Utility Infielder

- Posts: 8580
- Joined: Tue Sep 06, 2005 1:10 am
- kegmcnabb
- 3 valves

- Posts: 432
- Joined: Fri Jun 25, 2004 10:33 pm
- Location: Moving back to WI from NM! What am I thinking?
Hi,
When I recently took up Eb after years of BBb I simply got out my Belwin Band Builder Book 1 and started there. It provided a slow, simple framework for learning notes (just as it is intended to do for beginners) and by the end of the day I could play book 1 pretty well. Next day...book 2. I spent a couple of days on that, but still, the same principle applies. Finishing that...Rubank Intermediate and then Advanced and within a couple of weeks...I could play new fingerings without thinking about it.
Pull out those beginner books...they will help you...and as mentioned before, provide a logical, structured format for learning fingerings. And it's quick, too.
When I recently took up Eb after years of BBb I simply got out my Belwin Band Builder Book 1 and started there. It provided a slow, simple framework for learning notes (just as it is intended to do for beginners) and by the end of the day I could play book 1 pretty well. Next day...book 2. I spent a couple of days on that, but still, the same principle applies. Finishing that...Rubank Intermediate and then Advanced and within a couple of weeks...I could play new fingerings without thinking about it.
Pull out those beginner books...they will help you...and as mentioned before, provide a logical, structured format for learning fingerings. And it's quick, too.
- Tom Waid
- pro musician

- Posts: 149
- Joined: Sat Oct 08, 2005 1:16 pm
- Location: Titusville, Florida
- Contact:
Pulling out the old beginner books is exactly what I tell my students to do when converting from BBb to CC. On average it takes three weeks to a month to come up to speed on the new instrument. It's not such a big deal.
Amongst aviators it is often said that any landing you can walk away from is a good landing. It's an even better landing when you can reuse the airplane.
-
tubatooter1940
- 6 valves

- Posts: 2530
- Joined: Mon Mar 22, 2004 11:09 pm
- Location: alabama gulf coast
- iiipopes
- Utility Infielder

- Posts: 8580
- Joined: Tue Sep 06, 2005 1:10 am
When I came back to tuba after 20 years away, I did exactly the same thing as kegmcnabb to get my embouchure back in shape. The Rubank series is woefully underappreciated, and I heartily recommend the advanced method for anyone on limited time but needing a structured and diverse program progressing in difficulty by key signature to develop or refresh their playing. But, unfortunately, I don't think it has anything for CC fingerings, just BBb and Eb. One of the best fingering charts for CC, and for BBb, Eb and F for that matter, is here on this very website.
Jupiter JTU1110
"Real" Conn 36K
"Real" Conn 36K
- Roger Lewis
- pro musician

- Posts: 1161
- Joined: Fri Mar 19, 2004 7:48 am
Know them ALL
I think it is important to isolate yourself for a while as you learn CC feel and fingerings, but that you should keep the old stuff fresh as well. I switch horns, clefs and transpositions at random during my practice sessions, from CC to F to euphonium (Bb) and all 7 clefs as well as transposing. I remember sitting backstage, waiting to go on for the hearing for my Masters recital, and realizing that every piece was on a different horn as well as in a different clef or transposition. I panicked for an instant wondering "What the hell was I thinking??" - then I was told "You're on!" by the stage manager and just went out and did it.
For me, the ultimate BBb Prokofief recording is Chester Schmidt with Boston where I believe he used a giant Martin BBb 4 valve horn for Prokofief 5. You gotta' hear it to believe it, but what a sound! Props to Mr. Schmidt.
For me, the ultimate BBb Prokofief recording is Chester Schmidt with Boston where I believe he used a giant Martin BBb 4 valve horn for Prokofief 5. You gotta' hear it to believe it, but what a sound! Props to Mr. Schmidt.
"The music business is a cruel and shallow trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There's also a negative side." Hunter S Thompson
-
tubeast
- 4 valves

- Posts: 819
- Joined: Thu Feb 17, 2005 3:59 pm
- Location: Buers, Austria
To add CC to my F, I first tried to get a feel for "what valve does what". I´m used to playing tunes without notes in front of me, and had to reprogram the connections between desired pitch and fingerings. That was weird at first.
As to fingering charts: make up your own, don´t use an existing one !! Look for the partials and take those as anchoring points, and work your way chromatically down from there. Later I took an empty sheet of music, made dots on it at random, and added fingerings later.
This and the previous posts will get you up and running in notime.
As to fingering charts: make up your own, don´t use an existing one !! Look for the partials and take those as anchoring points, and work your way chromatically down from there. Later I took an empty sheet of music, made dots on it at random, and added fingerings later.
This and the previous posts will get you up and running in notime.
Hans
Melton 46 S
1903 or earlier GLIER Helicon, customized Hermuth MP
2009 WILLSON 6400 RZ5, customized GEWA 52 + Wessex "Chief"
MW HoJo 2011 FA, Wessex "Chief"
Melton 46 S
1903 or earlier GLIER Helicon, customized Hermuth MP
2009 WILLSON 6400 RZ5, customized GEWA 52 + Wessex "Chief"
MW HoJo 2011 FA, Wessex "Chief"
- Lew
- 5 valves

- Posts: 1700
- Joined: Fri Mar 19, 2004 4:57 pm
- Location: Annville, PA
Re: cc Tuba
Yes, it would be easier to pick up a BBb again if that's what you played before than to learn to play a CC. Everybody else's tips are good if you plan to switch, but why?PORKCHOP wrote:Does anyone have any tips on easy ways to learn CC fingerings without getting confused with the BBb fingerings? Also, I havn't played in 4 yrs. Would it be easier to pick back up on the BBb or get into a CC?? Any info is appreciated....
You say that you haven't played in about 4 years. This implies to me that this is more of a hobby than a profession. If that is the case why do you want to play a CC? Everything else being equal, BBb tubas cost less than CC tubas. For example a Miraphone 186 in BBb will cost less than one in CC. The only reasons that I can think of to switch is if you are going to play in a professional orchestra, or if you happen to have a CC tuba available already.
I don't want this to become another BBb vs. CC thread, but the way your question is asked raises this issue. If you decide to go with CC that's fine. It's always good to learn a new skill, and I think that professional tuba players should be able to play a tuba in any key, but you should make the change for a good reason.
