yet another Eb tuba question

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PMeuph
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Re: yet another Eb tuba question

Post by PMeuph »

nworbekim wrote:When using the "play it in treble" method of transposing, i did ok except when i got into a bunch of accidentals. i could stop and figure them out but sometimes i din't have the time. is there a quick trick to them?

i don't play enough Eb to be fluent, but sometimes i just have to play it.
nworbekim's signature wrote: ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
the game is won not on game-day, but in the work and preparation that leads up to game-day.
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Your signature hints at a very good approach to get over this hurdle... :idea: :idea:

____
My approach to fingerings is not a conventional one. I started tuba after having played euphonium for a while and may not help you in a quick fix type of situation. I think of fingerings in the same way I think of tonic solfege.

When I first started playing an Eb tuba and I encountered a pitch that wasn't immediate, I would of it's relationship to eb as if eb were the tonic and ascribe a fingering and a pitch based on that relationship.

For example, If I saw a Cb in the staff, I would think of solfege LE (b^6 - flattened scale step 6) and then react with the fingering of 23)

That worked really well for me...

YMMV. :| :|
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brassbow
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Re: yet another Eb tuba question

Post by brassbow »

For me if transposed key is flat sharps become naturals. If transposed key is sharp flats are natural
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Continental Eb/F alto,
Olds ambassador baritone,
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Hawks and son 1911 eb cornet,
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ppalan
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Re: yet another Eb tuba question

Post by ppalan »

I don't know if this will be helpful to you. I mostly use the method you describe but if there are numerous "accidentals" I just think trumpet fingerings. Of course that's really only useful if you already know trumpet fingerings. Bottom line is you just have to practice those spots until they're right.
Pete :tuba:
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Carroll
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Re: yet another Eb tuba question

Post by Carroll »

When "faking" it in Bass Clef...a Sharp produces a note HIGHER than the "fake" key signature while a Flat produces a note LOWER.
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Dan Schultz
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Re: yet another Eb tuba question

Post by Dan Schultz »

I play both Eb and BBb and move between the two easily. I was fortunate to have been a piano student when I answered the call to join the band in 1956. I was ten years old. The call went out for prospective band members and, as usual, I fooled around until the last minute and all the 'good stuff' was gone when I finally made it to the basement bandroom. I was handed a Conn Eb tuba and a fingering chart and told to "take it home and learn it". I played Eb through grade school. I migrated to BBb in junior high but always considered myself an Eb player.

I think Eb is very good to start kids out on and am surprised that the custom isn't still in use in the US. It should be.
Dan Schultz
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Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
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