nworbekim wrote:When using the "play it in treble" method of transposing, i did ok except when i got into a bunch of accidentals. i could stop and figure them out but sometimes i din't have the time. is there a quick trick to them?
i don't play enough Eb to be fluent, but sometimes i just have to play it.
nworbekim's signature wrote: ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
the game is won not on game-day, but in the work and preparation that leads up to game-day.
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Your signature hints at a very good approach to get over this hurdle...
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My approach to fingerings is not a conventional one. I started tuba after having played euphonium for a while and may not help you in a quick fix type of situation. I think of fingerings in the same way I think of tonic solfege.
When I first started playing an Eb tuba and I encountered a pitch that wasn't immediate, I would of it's relationship to eb as if eb were the tonic and ascribe a fingering and a pitch based on that relationship.
For example, If I saw a Cb in the staff, I would think of solfege LE (b^6 - flattened scale step 6) and then react with the fingering of 23)
That worked really well for me...
YMMV.





